Starting in 1998, German electro-acoustic composer J. Peter Schwalm worked continuously with Brian Eno for six years; together they released the album Drawn From Life, wrote the soundtrack to Nicolas Winding Refn‘s feature film Fear X, gave celebrated concerts in Europe and Japan.
Since 2006 Schwalm has been a regular guest at the Punktfestival in Kristiansand, Norway, where he distinguished himself as one of the few experienced live remixers, among others for members of the widely acclaimed Ensemble Modern.
In spring 2016 Schwarm’s first RareNoise album, The Beauty Of Disaster was released. Artistically, it revolved around a duality that shapes the visual arts and music as well as life itself: a certain melancholy that is always inherent in hope.
In the autumn of 2016, an existential experience was added, on that left deep traces. Diagnosed with brain cancer, the artist elected to have the growth removed. The operation turned out to be unsuccessful. Schwalm nevertheless set to work on a new release, even if partly weakened by the inevitably following chemotherapy.
Over the course of the following year, pieces were created that reflect feelings such as restlessness, fear, despair and anger, but artistically process these emotions into abstract sounds, reflecting the artist’s willingness to style and design that characterised Schwalm’s earlier productions.
More consistent than ever, on his new album How We Fall, he creates sound sculptures that transcend common categories. Their structures can take on rough or gently curved forms, unfold associative or contemplative effects, and may even make the listener shiver. Schwalm’s feel for nuances, tension arcs and individual sounds is based on talent and many years of experience, as well as the processing of personal trauma.